pondelok 9. februára 2015

Celine Dion : Recording Academy President Neil Portnow On How All The Grammy Collaborations Come Together

Sometimes the collaborations are less obvious than others. I'm thinking of Celine Dion joining Smokey Robinson and Jennifer Hudson for the Michael Jackson tribute in 2010.

When we think about these things, we are thinking from a musical perspective, and not from a limited point of a view. That is, “What might an artist be capable of doing if we asked?” and “What might an artist actually enjoy doing that’s out of the predictable or what we’ve seen them do and that’s an opportunity for them to stretch and really fill a side that others maybe haven’t had a chance to see in a safe environment?” When you think about that, you come up with ideas that aren’t necessarily ones that everyone else would come up with. So, if you want to use your example of Celine in the Michael Jackson piece, what is it about Michael Jackson that connects with Celine? A couple of things: One is Michael is one of the finest singers ever in popular music; so is she. Michael was renowned for extraordinarily high level of repertoire, so the songs that Michael recorded, whether he wrote them or collaborated on them or whether he found them, were always the greatest, which is why the legacy of the music will be here forever. Same is true for Celine; she records the finest songs. If you look at that bridge there, then you start to think, "Well, that’s not far-fetched at all," and then the bottom line is, "How does she feel about it?" She clearly was a huge fan of his and his music. She really savored the opportunity to pay tribute to him.

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